建筑 | 时境参与的 Ways Of Life 德国别墅集群设计将于2019年落成
2017年7月在德国卡塞尔Edersee湖畔，由卡塞尔大学和当地开发商一道举行了“生活方式：实验城市 ”的全球性集群建筑设计发布会，在此发布会上，来自全球20支新锐建筑设计团队展示了自己对于生活方式（"Way of Life"）这一主题的深度思考下的概念设计理念。Atelier Alter时境建筑有幸是唯一中国区设计团队。 目前，这些设计作品将于2019年陆续落成，时境建筑现在荣幸的将这些有趣的理念从官方发布的素材翻译转载给中国的读者。
2017 德国别墅获展20 Ways Of Life Exhibition，德国
项目简介
Intro of the Projects
在新的工作与生活的关系当中，高度发达的网络和交通系统对这一传统捆绑在一起的城市关系提供了新的机会和挑战，为探究生活方式的多样性，由德国建筑师Christoph Hesse Architectures和 美国建筑师Neeraj Bhatia共同发起了一个在德国卡塞尔Edersee湖地区建一批约90㎡的小型别墅的实验性项目，这里风景极为优美，交通方便，非常适合可以远离城市的工作人群的工作与生活。项目发起后世界各地建筑师给予了高度的关注与广泛的探讨，最终征集了19座最具代表性的小型别墅建筑的概念设计。这些项目于2017年7月5日在德国卡塞尔举办“城市实验——生活方式”的活动上展出，经过两年的推进，精选后的作品将于2019年陆续落成。
生活方式是对自然界中近距离工作的新情况的调查。“下班后”是“生活”开始的传统时间。今天，工作和生活之间的界线从未如此模糊。现在在家工作的人比以往任何时候都多，这也使得一种新的游牧主义进入了乡村和自然。
此次发布会获邀的19组建筑设计师：
Anna Heringer (Germany),
Atelier Alter (China),
Christoph Hesse Architects (Germany),
Bernaskoni (Russia),
Dogma (Belgium),
Fake Industries Architectural Agonism (FKAA) (Australia / USA),
Jürgen Mayer H. (Germany),
KWK Promes (Poland),
NOA* (Italy),
The Open Workshop (USA/ Canada),
Organization for Permanent Modernity (USA / Belgium),
Precht (Austria),
Pezo Von Ellrichshausen (Chile),
RICA Studio (USA / Spain),
SsD (USA / Korea),
Somatic Collaborative (USA),
Stinessen Arkitektur (Norway),
Tatiana Bilbao (Mexico),
Yamazaki Kentaro Design Workshop (Japan)
参展建筑师
work shop
work shop
以下来为自世界各地新锐设计团队被要求开发一个原型住宅，将工作沉浸在自然之中，同时讲述工作/生活与个人/集体之间的关系。
The following emerging offices from around the globe have been asked to develop a prototype dwelling that immerses work in nature while clarifying the relationship between work/ life and the individual / collective.
时境Atelier Alter-无尽景观住宅
House of Eternal Landscape
建筑师介绍
Atelier Alter成立于2009年，是一家以纽约和北京为基地的跨学科创新企业。Atelier Alter以对场地的批判性分析设计著称，获得多项奖项的认可，包括2016年纽约建筑师联盟大奖、2016年和2014年锋范金奖、2013年照明设计周刊、2010年福建建筑设计优秀奖等。
Founded in 2009, Atelier Alter is a pioneering inter-disciplinary practice based in New York and Beijing. Noted for designing from critical analysis of the site, Atelier Alter has been recognized by numerous awards, including SARA National Award of Excellence2016, IDOL Gold Prize 2016 & 2014, 2013 Awards by Lighting Design Weekly, 2010 Excellence in Architecture Design of Fujian, etc.
Atelier Alter从一开始就高度关注文化类项目的设计。2009年赢得了曲靖文化中心的设计竞赛，事务所在这个建筑里通过将场地形而上的文脉转化为艺术而有形的城市历史记忆空间；2010年Atelier Alter通过竞赛获得并于2014年建成的老年文化中心将传统的竹子建筑化转型为公共服务建筑。Atelier Alter的作品在世界各地出版，包括Domus, WA, A+A, Russian Design Hub, I 'Arca International, Cooper Publishing, HKPIP, il Nuovo Cantiere, Landscape Design, Archdaily, Designboom等。
Atelier Alter focuses intensely upon culture facilities ever since the beginning of the practice. Atelier Alter wan the competitions to build Qujing Culture Center in 2009, by transferring the metaphysical context of the site into an artistic yet tangible urban space of historic remembrance. The Senior Culture Center won by Atelier Alter in 2010 and completed in 2014, exploded the typological transformation of bamboo bungalow into public facility. Projects by Atelier Alter have been published and featured by press of different parts of the world, including Domus, WA, A+A, Russian Design Hub, I’Arca International, Cooper Publishing, HKPIP, il Nuovo Cantiere, Landscape Design, Archdaily, Designboom, among others.
除了文化项目，Atelier Alter的作品覆盖了从家具设计到大型学院建筑和城市设计，无论是建筑、景观还是城市项目，Atelier Alter的作品都力求表现出关于人性的思想、提供批判的见解而不是追随潮流。
Besides culture projects, the portfolio of Atelier Alter ranges from small scale furniture design to educational facilities and large urban scale projects. Whether it is architecture, landscape or urban project, the works of Atelier Alter strive for manifesting ideas that speak about humanity, ideas offering critic rather than imitation.
项目介绍
对于奥古斯特·罗丹来说，“现实处于无尽的变化之中，真相只是一种现象”。因此，我们周围现实的纯粹性是相对的，我们可以通过不同层次不同角度进行解读；与此同时，幻觉常常在现实与知觉之间来回交互，不断转变：现实可能变为幻觉，反之亦然。在当下这个多变的时代，我们需要一个超然但又根植于意识之中的空间，用以沉思、冥想，从而可以更好地理解“自我”以及“自我”与现实世界的关系。
For Auguste Rodin, reality changes as one turns every five degrees and “truth” is merely a phenomenon. As such, the reality around us is purely relative and could only be understood from different perspectives with different layers of interpretations. At the same time, Illusion often negotiates between reality and perception, which constantly and gradually shifts and turns our reality into illusion or the vice versa. In order to better understand “the self” as well as one’s relationship with reality and with the world at large, there needs to be a space for hallucination, a space for contemplation, a space to “space out” and a space to meander through time.
我们设想这样一个神圣空间应当建立于日常生活之中，并可以随时、随意的使用。这样看来，从本质上说，我们需要一个亲近自然，远离城市喧嚣混沌的空间，让自己有时间更恰当地反思我们的工作和生活，帮助我们完成更深刻的自我认知。
Such sacred space ought to be founded in one’s daily life and be readily available and accessible at one’s will. Essentially, we need a dwelling encompassed in nature and away from the chaos of the city to allow ourselves the time to better reflect upon our lives and our works as well as to help us understand ourselves more slowly and more profoundly.
作为Experimenta Urbana（注：位于德国Kassel的一个持续多年的城市艺术展览系列）的一部分，在一个名为“生活方式”的小型住宅主题设计邀请中，我们的设计概念试图表达人们在当下这个多变而又多面的时代的一种生活、工作、休闲之间边界模糊的状态。
As part of Experimenta Urbana in a show called “Ways of Life,” the design concept attempts to address the blurring boundary between live, work and leisure in the 21st Century.
椭圆形的设计使人能够全方位欣赏到德国卡塞尔Edersee湖周边如画的风光，而双层玻璃外墙则展示了使用者在房间之间移动的流线，螺旋型的斜坡进一步强化了无边景观的幻觉体验；跟随着坡道的上升和下降，周围的风景似乎随之变化不尽，但又不会消失；远方的风景也似乎与近处的景观相互融合——从而螺旋状的斜坡进一步模糊了现实与幻觉之间的边界，使得建筑成为衡量现实与幻觉之间的唯一尺度。
The design of the elliptical retreat offers 360-degree views of the picturesque German landscape in the Lake Edersee area. A double glass skin informs the circulation paths that funnel inhabitants between rooms. Meanwhile, the spiral ramp further takes part in producing the illusion of endless landscape. As one ascend and descend oneself along the ramp, the surrounding sceneries would appear to come and go, yet they never seem to fade away. Views from afar would also seem to gradually merge with views nearby. The meandering ramp, hence, further blurs the boundary that separates reality and illusion. Architecture then becomes a way to measure the gradient of reality or illusion.
随着时间季节的变化带来的景观变化将会带给使用者生活和工作方式的变化，外部环境与内在自我的交流碰撞构成了生活与工作的循环。从始至终，周围环境景观的变化全方位地影响甚至重新定义了使用者的工作与生活——有时甚至带来了意想不到的挑战。随着生活与工作，工作与休闲，现实与幻觉，建筑逐渐融入了Edersee湖的永恒风景。
The changes of scenery as well as the changes in landscape as a result of the shifts in seasons would so impact the way the inhabitants project themselves onto the space where they work and dwell. This meditation between one’s inner self and the panoramic landscape as well as the exchange between the external environment and one’s inner self is what comprises the circle of life and work. While the inhabitants are inspired by the natural sceneries and by the changes in the surrounding environment at all times and from all directions, their lives and works also get redefined and even at times challenged accordingly. Along with live and work, labor and leisure, reality and illusion, the architecture gradually dissolves into the eternal landscape of Lake Ederesee.
其他18组建筑师及其项目简介
Intro to 18 Other Groups of Projects
Anna Heringer (Germany)
建筑师介绍
Anna Heringer, 1977年生，德国建筑师。作为可持续建筑的倡导者，她设计了许多著名的建筑，包括孟加拉国Rudrapur的METI手工学校。
Anna Heringer (born 13 October 1977 in Rosenheim) is a German architect. A proponent of sustainable architecture, she has designed a number of notable buildings including the METI Handmade School in Rudrapur, Bangladesh.
项目介绍
这个小的房子无论是在生态还是实际生活方面都是可以轻松地放在地球上而不必担忧过多的消耗 - 虽然这个房子要求它的使用者遵循季节的循环而使用。由于只有一半的空间是封闭的，所以就有一定的空间进行"反思和准备"（冬季，春季）以及"行动和实施"的（夏季，秋季）。这个房子大量采用项目周边就近可以取得的材料构成，房子使用和建造可以充分激发了当地的工艺的潜力而融于传统建筑当中。传统的木框架结构的次序感和构造元素被使用在这个房子的建造当中，它有有一点“另类”，并将会以新的方式组装。
It is a house that sits lightly on the earth, both in terms of ecological and actual footprint. A house that demands from it`s inhabitants to follow the circle of seasons. As only half of the space is closed, there is a time for reflection and preparation (winter, spring) and a time for action and implementation (summer, autumn). Made from materials of the surrounding, the house uses and crafts the local potential as well as plays with the building tradition. The order and elements of a traditional timber-frame-structure are cited but a bit “offbeat” and assembled in a new way.
Christoph Hesse Architects (Germany)
建筑师介绍
Christoph Hesse, 1977年出生，在德国Sauerland高地长大。他获得苏黎世联邦理工学院建筑学文凭，并以优异成绩获得哈佛大学城市设计建筑学硕士学位。他是德国Korbach获奖设计公司Christoph Hesse建筑设计事务所的创始人。长期在欧洲、美洲和东南亚的会议和大学演讲。Christoph Hesse曾在卡塞尔大学、达姆施塔特大学、西贡建筑大学、哈佛大学和开罗大学教授建筑和城市设计。
Christoph Hesse, born 1977, grew up in the highland area of Sauerland, Germany. He recieved a Diploma in Architecture from ETH Zurich and a Master of Architecture in Urban Design with Distinction from Harvard University.He is the founder if ChristophHesseArchitects, an award winning design firm based in Korbach, Germany. H lectures regularly at conferences and universities in Europe, America ad Southeast Asia. Christoph Hesse has taught architecture and urban design at University of Kassel, TU Darmstadt, University of Architecture Saigon, Harvard University, and Cairo University.
项目介绍
这是一个扎根于大地完全没有室内墙壁的建筑。使用者可以轻松到达环境里的树冠内部和上方，体验房给生活内省和外部的社交之间提供了机会。
From being rooted within the earth, to an architecture without walls, to reaching within and above the tree canopy, the house oscillates between being introspective and externally facing.
Bernaskoni (Russia)
建筑师介绍
BERNASKONI我是一个协作的跨学科机构，致力于建筑，通信和工业设计的交叉。 该局以任何规模工作 - 我们设计和开发总体规划和公共建筑以及乡村别墅和私人室内设计。在该局的组合中，有许多重大项目和建筑物：雅罗斯拉夫尔的总体规划PREOBRAJENSKY和莫斯科的RED OCTOBER ，圣彼得堡的新荷兰夏季，Skolkovo的HYPERCUBE，VOLGADACHA和MIRROR MONGAYT的乡间别墅，上海的俄罗斯PAVILION，PERMMUSEUMXXI，MATREX建筑，TETRIS住宅楼，中央艺术馆（CHA）重建，OLEGKULIK和KANDINSKYPRIZE展览，办公空间 BBDO莫斯科，GRAND CRU葡萄酒商店网店和酒吧，工业设计的国家级帆船EM-KA和ROCKET，身份和俄罗斯政府中心的内部。Bernaskoni 是一个协作跨学科机构，致力于建筑、通信和工业设计的交叉领域事务所。 可以处理任何规模的设计工作 - 总体规划、公共建筑、乡村别墅和私人室内设计。项目包括许多重大项目和建筑物。
BERNASKONI is a collaborative, interdisciplinary bureau that works on intersection of architecture, communication and industrial design. The bureau works with any scale —?we design and develop masterplans and public buildings as well as country houses and private interiors.In a portfolio of the bureau, there is a number of momentous projects and buildings: masterplans PREOBRAJENSKY in Yaroslavl and RED OCTOBER in Moscow, NEW HOLLAND SUMMER in Saint-Petersburg, HYPERCUBE in Skolkovo, country houses VOLGADACHA and MIRROR MONGAYT, RUSSIA PAVILION in Shanghai, PERMMUSEUMXXI, MATREX building , residential building TETRIS, Central House of Artist (CHA) reconstruction, exhibitions OLEGKULIK and KANDINSKYPRIZE, office space BBDO Moscow, GRAND CRU wine store net-store and bar, industrial design of the national class sailing boat EM-KA and ROCKET, identity and the interior of the GOVERNMENT OF RUSSIA PRESS CENTRE.
项目介绍
这个房子位于田野中间靠近湖边，它是一个狭长的哑光黑色住宅。Bernaskoni通过一个拥有倾斜的墙面的建筑解释了在大自然中生活和工作的切换的可能。随着梯形结构逐渐变细，建筑物内部的使用会越来越简化。
Placed in the middle of field, near the edge oft he lake, a narrow matte black dwelling.Boris Bernaskoni interprets the assignment to live and work in and with nature through a diagonal, falling tower. As the trapezodial structure tapers, the use of the buildings interior simplifies.
Dogma (Belgium)
Dogma (Belgium)
建筑师介绍
Dogma由Pier Vittorio Aureli和Martino Tatara于2002年创立。从创立初期，他们就着眼于建筑与城市之间的关系，主要关注的是城市设计和一些大型项目。Dogma的成员们如热爱建筑设计一样非常热衷于教学、写作和研究，他们认为这些活动是参与建筑设计的一个重要部分。Dogma还积极为市政府等机构提供城市规划和有建筑相关的问题的咨询服务。Dogma的作品已被广泛的出版和展出。2006年，Dogma凭借最佳新兴建筑的项目获得了第一届IAKOV Chernikhov奖。于2013年的展览之际，其获奖的11个项目的首发专著由AA出版.
Dogma was founded in 2002 by Pier Vittorio Aureli and Martino Tattara. From the beginning of its activities, Dogma has worked on the relationship between architecture and the city by focusing mostly on urban design and large-scale projects. Parallel to the design projects, the members of Dogma have intensely engaged with teaching, writing, and research, activities that have been an integral part of the office’s engagement with architecture. Dogma is also active in offering consultancies to municipalities and agencies concerned with urban planning and architectural issues. Dogma’s work has been widely published and exhibited. In 2006, Dogma has won the 1st Iakov Chernikhov Prize for the best emerging architectural practice and in 2013, on the occasion of the exhibition ‘Dogma. 11 Projects’ the first monograph on the work of the office was published by the AA Publications.
项目介绍
项目为位于是一大片草坪上，空间上一边由道路(南)和步行道(北)来界定，另一边则由(东、西)的树木群来界定。这样一来，住宅并没有占用地块，而是在打造了开放空间的同时，通过一些最简单的基础设施定义了一个可以使用的“绿色房间”。
The plot, presently a large grass meadow, is spatially defined on two sides by the access road (south) and a pedestrian path (north) while on the other two sides by groups of trees (east and west). For this reason, rather than occupying the plot, the house is an attempt to make this open and defined ‘green room’ available through the simplest possible infrastructure.
Fake Industries Architectural Agonism (Australia / USA)
建筑师介绍
Fake Industries Architectural Agonism (FKAA)是一个有着多方位边界和批判性风格的独立存在体，它为公民、机构、公共领域和学科知识之间的沟通提供建筑思考。FKAA由Cristina Goberna和Urtzi Grau创建于纽约、悉尼和位于巴塞罗那的总部，FKAA将专业领域和建筑学术界的环境连接起来，重新获得建筑师作为公共知识分子的角色 - 也就是那些真正冒着自己的信誉风险的人去质疑霸权信仰的人。
Fake Industries Architectural Agonism (FKAA) is an entity of variable boundaries and questionable taste that provides architectural tools to mediate between citizens and institutions, the public sphere and disciplinary knowledge. Created by Cristina Goberna and Urtzi Grau from their headquarters in New York, Sydney and Barcelona, FKAA bridges the professional world and the environments of architectural academia to reclaim the architect’s role as a public intellectual—that is, someone who earnestly risks his or her credibility to question hegemonic beliefs.
项目介绍
MH住宅是一个有着很薄的双坡屋顶的盒子，它试图满足日常生活的需求。它结合了黑森林中存在主义小屋的特点，它是一个实证主义者大规模生产的住房单元，以案例研究实际房屋使用的享受主义。为了避免有三个模型，MH它将所有的技术拼贴在一个临时的魔盒中来唤醒人们的好奇心、适度遮掩、内外对比、提供神秘感，让居住者把房子想象成一场游戏。
MH House is a fragile double pitch-roofed box that attempts to contain everyday life. It combines features of the existentialist hut in the black forest, a positivist mass-produced housing unit, and the case study houses pragmatic hedonism. To escape all three models MH House collages all their technologies together in a temporary magic box. Awaking curiosity, occultation, contrasting inner and outer, offering mystery, the house imagines the domestic as a game.
Jürgen Mayer H. (Germany)
建筑师介绍
Jürgen Mayer H出生于斯图加特，16岁时经过百货商店时被一张埃里希·孟德尔松（20世纪具代表性的建筑师之一）设计的照片所吸引，便萌发了对建筑的兴趣，在普林斯顿大学完成建筑学位之后，他创立了自己的工作室——J. MAYER H.。在那之后他就一直专注于建筑、交互和新技术融合的作品，不仅研究新的建筑材料，而且通过新媒体和新材料来加深人们对于“空间”的理解，让“空间”成为人与人沟通，以及社会文化互动的平台。Jürgen Mayer H的很多灵感来源于他从电脑保护数据中提取出的有机图案，在他看来，建筑应该作为一个鼓励者的角色，将人们从被动的期待模式转换到关注和主动参与的状态中。他的每一个项目都是一场冒险，通过观察一些特定的地方来提取特殊的信息，进而批判性地重新思考建筑的意义。
项目介绍
“片段”住宅是将生活和工作融入自然的一个实验。该项目位于Edersee湖旁，立体每个片段的轮廓看起来与另一个轮廓相邻，其中分布着各类生活空间的元素并形成了一个保护性的外壳和一个流动性的内部空间。
Segments is an experimental retreat for the immersion of life and work into nature. Located by the Edersee lake, the solid silhouettes stand seemingly next to each creating both, a protective exterior and a fluid interior topography that allocates the various programmatic elements.
KWK Promes (Poland)
建筑师介绍
寻找到好的概念时是我们工作室在整个设计过的程中最重要的时刻。在解决所有空间的方案中，我们总是将物体的形式、功能、材料的使用、甚至细节尽量减少到最低限度，而这一切设计都尊崇最初设计项目时的想法。整个设计过程来自于一个清晰的概念。它非常有趣，因为它让我们打破了常规的习惯、喜欢的形体、惯用的方案，朝着新的方向探索。当我们开始做一个项目的时候，我们永远不知道最终会做成什么样，这便是在设计最迷人的部分。
Finding a good concept is the most significant moment of the whole design process in our studio. All the spatial solutions, the object's form and function, the use of materials and even details, which we always try to reduce to a minimum - everything comes out of this initial idea. The whole design process is consequently subordinated to a legible concept. It is quite intriguing as it lets us break up with formal habits, favourite shapes, tested solutions and move towards something new. When we start working on a project we never know what it's going to look like in the end. And this is the most fascinating part of it.
项目介绍
这个实验性的房子带来了一种新的生活品质—接近大自然，并遵循它的日夜轮回和季节更替的规律。这是生活方式的回归，也是人类最健康的生活方式，因为它是最自然的。解决的方案 - 由动态反应的玻璃和活草组成智能皮肤，为室内创造了最佳的小气候，大大减少了对温度或湿度的机械调节需求。我们相信随着先进技术的使用，建筑应该尽可能地发展为不引人注目的。
An experimental house brings on a new quality of life – close to the nature and its variable rhythm of day and night as well as seasonal rhythm. This is the return to the lifestyle, which is the healthiest one to the human being, because it is the most natural. The use of solution – an intelligent skin consisting of dynamically reacting glass and living grass creates an optimal microclimate of the interior, considerably reducing the need for mechanical regulation of temperature or humidity. We believe that the future of architecture is… no architecture, or rather; with the use of advanced technologies it should evolve to be as unobtrusive as possible.
NOA* (Italy)
建筑师介绍
由创始人卢卡斯·朗格(Lukas Rungger)和斯特凡·里耶(Stefan Rier)领导的年轻建筑师和设计师团队noa*工作室是一种相互协作的工作精神的本质体现，它立足于意大利博尔扎诺(Bolzano)和德国柏林(Berlin)，他们基于机器人的不断发展来探索和研究跨学科的设计可能。
noa* is the essential expression of a collaborative work-ethos: the young team of architects & designers, led by founders Lukas Rungger and Stefan Rier and based in Bolzano (Italy) and Berlin (Germany), explores and examines interdisciplinary methods of design, continuously evolving depending on bot
项目介绍
“从根到冠”描述了错综复杂的建筑的垂直变形，从地下穿过田野和树干到达冠部。它是移动中的楼板，能够在“地下”（-1），“在田野”（0）和“树冠”（+ 1 + 2）中分布3层主要空间。升降房是一种比较超前的概念么？但它以“在自然中生活和工作”的概念适应了其居住者的不同要求。
“From Roots to Crowns“ describes the vertical metamorphosis of a hybrid building, moving from below ground through fields and trunks up to the crowns. It is a living shell on the move, able to take on 3 main positions ?under the earth“(-1), ?on the fields“ (0) and ?in the tree crowns“ (+1+2). The lifting house is a visionary way of adapting the concept of ?living and working in nature“ to the varying requirements of its inhabitants.
Organization for Permanent Modernity (USA / Belgium)
建筑师介绍
Alexander D 'Hooghe和Luk Peeters是“永久现代性”组织的合伙人;该组织在麻省理工学院设有一个研究分支机构，在波士顿和布鲁塞尔也设有分支机构。
Organization for permanent modernity Alexander D’Hooghe and Luk Peeters are partners in the Organization for Permanent Modernity; The organization has a research branch at MIT and professional locations in Boston and Brussels.
项目介绍
这不仅仅是一座风景环绕的房子，它是一个为数字知识经济领域的专家打造的一个个人工厂- 国际化的互联网工作者突然间也可能变成了农村居民，这种情况带来了不稳定的逆转。中世纪城堡和大坝——定义了该地区建筑的两个矿藏巨兽——这为伊苏河提供了形式和材料灵感,因此它本身必须保持与外界断开连接，与该地区隔离:仅仅停留在原始景观之上，赋予了（建筑）历史上不可能存在的矿藏重量感。
This is not just a house in a landscape. It is a one-person factory for an expert in the digital knowledge economy. The cosmopolitan internet-worker is suddenly also a rural dweller, and this condition offers destabilizing inversions. A medieval schloss and a dam – the two mineral behemoths that define the architecture of the region – advise the form and material of the Esuoh, but it must itself remain disconnected, unplugged from the territory: simply hovering above the primitive landscape, endowed with the impossible mineral weight of the (architectural) history that surrounds it.
Studio Precht
建筑师介绍
Precht 设计工作室是由Chris Precht和他的妻子Fei共同建立在奥地利阿尔卑斯山村里。工作室努力寻找着当代建筑与传统文化的衔接点，在每一次的创作实践中，突破传统并尝试在空间设计里引入对自然的热爱以及生态的设计。
Precht is a group of creatives led by Fei & Chris Precht. Our studio is located in the mountains of Austria. From this remote location we design buildings around the world. With our projects we try to create a path to a more ecological future of our built environment.”
项目介绍
住在农村有很多好处，而自己种植粮食和不依赖于大型连锁超市绝对也是其中之一。这所房子便很好的描述了在自然周期融为一体而生活的例子。
Living on the countryside offers many benefits and growing your own food and being independent from large supermarket chains is definitely one of them. This house portraits an example to live as part of the live-cycle of nature.
Pezo Von Ellrichshausen (Chile)
建筑师介绍
Pezo von Ellrichshausen是一家艺术和建筑工作室，由Mauricio Pezo和Sofia von Ellrichshausen于2002年创建。他们生活和工作在智利南部城市康塞普西翁，定期在芝加哥的印度理工学院教书。他们的作品获得了若干国际奖项，在很多专题出版刊物中出版，并在威尼斯双年展、伦敦皇家艺术学院和纽约现代艺术博物馆等场所广泛展出。
Pezo von Ellrichshausen is an art and architecture studio founded in 2002 by Mauricio Pezo and Sofia von Ellrichshausen. They live and work in the southern Chilean city of Concepcion and teach regularly at the IIT in Chicago. Their work has been distinguished with several international awards, edited in monographic publications and widely exhibited, among other venues, at the Venice Biennale, the Royal Academy of Arts in London and at the MoMA in New York
项目介绍
尽管一间布局合理、比例匀称、光线充足、通风良好的房间，仅仅是一间传统的房间，但对于熟悉地方的那种必要的感觉是一种绰绰有余的享受。因此，我们的建议将意味着人们自愿回归自然过一种田园的生活。这个住宅是一个不对称的形体，强调功能特殊性和空间模糊性之间的协调。它是一个不透明且坚固的实体房子，其中包含了三层连续垂直的房间。
A well placed, proportioned, lit and ventilated room, as traditional as it might be, should be more than enough for that enjoyment, for the necessary feeling of a familiar place. Thus, our proposal implies a voluntary and bucolic return to nature, to a fairly pastoral and provincial living. The house is an asymmetrical object that stresses the friction between functional specificity and spatial vagueness. An opaque and robust piece that contains a vertical succession of chambers in three levels.
RICA Studio (USA / Spain)
建筑师介绍
总部位于马德里和纽约的哥斯达黎加，RICA Studio 是一个年轻的建筑事务所，是一个跨越多个尺度进行设计研究的平台。 RICA*代表了Inaqui Carnicero和Lorena del Río 共同带来了广泛而又多样的建筑项目的集合。
RICA Studio is a young architectural office and a platform for design investigation operating across many scales. Based in Madrid and New York RICA* represents a new phase for I?aqui Carnicero and Lorena del Río who together bring an extensive and diverse building experience.
项目介绍
现在大量存在的十层楼的住宅探索了另一种生活方式的同时向传统的别墅概念提出了质疑。在传统的别墅设计中，用普通房间的排列来营造一个家庭的环境，其中空间的隔音和视觉独立性是符合居住的。而我们的目的是通过一个主要的垂直的空间，使空间设计不再仅与房间相连接，挑战这种传统碎片化排列的概念，
Ten stories’ house investigates an alternative way of living while questioning the classical concept of the villa where the sequence of generic rooms defines a domestic environment where the acoustic isolation and visual independence of the spaces facilitates the inhabitation. Our proposal challenges this notion of fragmentation by defining one main vertical space where the program is not any more linked to a room.
SsD (USA / Korea)
建筑师介绍
SSD是一家建筑公司，他们将设计视为一个融合的、跨学科的冒险。我们努力架起空想完美主义和实用主义之间的桥梁时，便使得最小形式发挥了最大的作用。
SsD is an architecture firm that approaches design as a convergent, interdisciplinary venture. Minimum form takes maximum effect as we strive to bridge the utopian and the pragmatic
项目介绍
该项目采用了一种新的方法来处理传统的建筑外壳，并创造了新的生活方式。在一般的建筑中，有高达10%的空间被墙壁作为死角占据。通过对墙体和窗户的每一层进行逐层分层，我们便能针对每部分的特征进行重新构建，从而创造大量新的空间。
The project takes a new approach to the conventional building envelope and creates ways of life between itself. Up to 10% of a normal building footprint is occupied by walls as dead space. By delaminating each individual layer of a wall and window assembly, we are able to build on the characteristics of each part and create new spatial conditions.
Somatic Collaborative (USA)
建筑师介绍
Somatic Collaborative是一个基于设计实践的研究型工作室，侧重于建筑和城市规划的实验性研究，涉及材料地理学和设计流程等领域。 其工作室的设计作品跨越多个尺度 - 从室内陈设到开放领域 - 通过委任的项目、设计竞赛和各种形式的研究来促进创造性空间的建成。
Somatic Collaborative is a research based design practice, which focuseson a speculative approximation to architecture and urbanism, and engages a wide host of material geographies and design procedures. Cutting across multiple scales – from interior furnishings to open territories – Somatic uses the architectural commission, design competitions, and diverse forms of applied research as conduits that facilitate an inventive construction of space.
项目介绍
好像是一座嵌入在21世纪冬季花园中的住宅一般，这座住宅探讨了两种建筑元素——唯一的服务核心和围墙。如何有效地组织一种新的生活、工作和休闲模式，通过单一的建筑体量去赋予空间层次，同时淡化内部和外部之间的界限。通过一个有弹性和多孔的围栏，住宅有时可以成为开放景观的一部分，有他时候则可以建造自己的室内冬季花园，更加有效地适应项目的需求变化和天气。
Conceived as a house embedded in a 21st century winter garden, the Perched House examines how two architectural elements —a sole service core and a perimeter wall— can effectively organize a new model of live, work, and leisure, by giving spatial hierarchy through a single volume while simultaneously dissolving the boundaries between interior and exterior. With an elastic and porous envelope, the house can at moments be part of the open landscape while at others construct its own interior winter garden, adapting effectively to shifting programs and weather.
Stinessen Arkitektur (Norway)
建筑师介绍
Stinessen建筑设计事务所致力于设计对于环境和使用它的人有意识的建筑。 在我们设计的过程中兴趣尊重和好奇心是非常关键的。提供了从建筑到室内装饰再到家具设计的全方位服务。我们通过与客户的密切互动和专注服务提供量身定制的项目和产品。
Stinessen is committed to developing projects that are conscious of our surroundings and the people inhabiting the spaces we create. Interest, respect and curiosity are keywords to our processes.The studio provides a full range of services from architecture to interior and furniture design. We deliver tailor-made projects and products through a close interaction and dedicated service to our clients.
项目介绍
这座建筑的概念是一座房屋，它将自己包裹起来，并为业主提供庇护所，同时分配各个功能和单独的房间，来增强与自然和谐相处的意识。建筑被轻轻地抬升到地面之上——强调现有的草地没有被破坏。生活区漂浮在草地之上，最终又延伸隐没在树林中。
The conceptual idea for this building is a house that wraps itself around, and shelters, its owners while at the same time distributing the zones and individual rooms so that they enhance the awareness of living in harmony with nature.The building is lifted gently above ground – emphasizing that the existing grassy field is left untouched. The living areas float just above the grass and eventually stretches up into the trees.
Tatiana Bilbao (Mexico)
建筑师介绍
他在伊比利亚大学学习建筑学，1998年获得建筑学和城市规划双学士学位，并获得年度最佳建筑学论文奖。1998-99年，她在墨西哥城市住房与发展部担任城市项目顾问。2004年建立了Tatiana Bilbao工作室其项目遍及中国、欧洲和墨西哥。
Tatiana studied architecture at the Universidad Iberoamericana where she obtained her Bachelor of Architecture and Urbanism degree in 1998 with honorable mention and was awarded the best architecture thesis of the year. She worked as an advisor for Urban Projects at the Urban Housing and Development Department of Mexico City in 1998-99, and in 2004 founded Tatiana Bilbao Estudio with projects in China, Europe and Mexico.
项目介绍
如今，每个人都通过互联网连接在一起，像一个有机体一样思考。但是在这个虚拟的连接过程中，我们忘记了我们与他人和自然的物理联系。因此，现在把我们的虚拟生活与现实环境连接起来并可以开始享受这种生活变得很重要。正如亚里士多德所说:“人类本质上是一种社会性动物。”通过我们的人际关系来研究生活是很重要的，个人到家庭，家庭到朋友，进一步到社区生活。这个房子是一个需求的有机体，它可以打开或关闭，并且可以根据使用它的人的数量进行转变的。
Nowadays everyone is connected by Internet, thinking together as one organism. But in this process of connecting with each other virtually, we have somewhere forgotten about our physical connection to one another and nature. Hence now it becomes important to connect our virtual life to the physical surroundings and enjoy it to the fullest. As Aristotle said “Human being is by nature a social animal.” It is essential to study living through our relationships; individual to family, family to friends and further to the community life. The house is hence a manifestation of various ways of doing the same activity and various emotions arising while performing them. It is a breathing organism, which opens out or closes; transforming according to the number of dwellers.
The Open Workshop (USA/ Canada)
建筑师介绍
“开放工作室” 由来自多伦多的建筑师和城市设计师Neeraj Bhatia创建。他的作品介于政治、基础设施和城市化之间。Bhatia也是InfraNet研究室的联合主管，该研究室是一个非营利性研究机构，致力于探索当代资源物流空间的副产品。他曾为艾森曼建筑事务所、Coop Himmelblau、Bruce Mau Design、OMA和ORG工作。Bhatia曾在莱斯大学、多伦多大学、滑铁卢大学、俄亥俄州立大学任教，目前是康奈尔大学客座教授。他是-Arium: Weather + Architecture(与Jurgen Mayer H合著， Hatje Cantz出版社，2009)，Bhatia[软系统](与Lola Sheppard合著, Actar, 2011)和《建筑30:耦合》的著者(普林斯顿建筑出版社，2010)。Bhatia是美国NCARB的注册建筑师。
The Open Workshop was founded by Neeraj Bhatia, an architect and urban designer from Toronto. His work resides at the intersection of politics, infrastructure, and urbanism. Bhatia is also a co-director of InfraNet Lab, a non-profit research collective probing the spatial byproducts of contemporary resource logistics. He has worked for Eisenman Architects, Coop Himmelblau, Bruce Mau Design, OMA, and ORG. Bhatia has previously taught at Rice University, University of Toronto, University of Waterloo, Ohio State University and is currently a visiting professor at Cornell University. He is co-editor of -Arium: Weather + Architecture (with Jürgen Mayer H., Hatje Cantz Publishing, 2009), Bracket [Soft Systems] (with Lola Sheppard, Actar, 2011) and co-author of Pamphlet Architecture 30: Coupling (Princeton Architectural Press, 2010). Bhatia is an NCARB Licensed Architect
项目介绍
我们平时都在工作，家庭和工作的重叠导致了我们永远不会处于完全私人或公开的状况，而且没有一个建筑能满足这种需求。我们试图探索建筑如何能从实际出发重新审视这些空间的区别，以确保家庭生活、工作、公共和私人的空间需求得到满足和保护。我们建议住宅从简单的几何顺序开始，把家庭或工作领域区别开来，确保它们的基本角色得以成立。然后，我们通过外部房间更精确地连接这些不同的空间，从而实现这些领域的整合和分离。
The overlapping of domesticity and work has lead to a condition wherein we are never fully private or public, and that we are always working. Instead of an architecture that confirms this condition, we ask how architecture might in fact reaffirm these spatial distinctions to ensure the tasks of domestic life, work, public appearance, and privacy are maintained and protected. We propose a house that begins with simple geometric orders that create distinctions within the domestic/ work realm to preserve their fundamental roles. We then link these diverse spaces more precisely through exterior rooms that enable an integration and separation of these realms.
Yamazaki Kentaro Design Workshop (Japan)
建筑师介绍
位于东京的山崎健太郎设计工作室(YKDW)是日本建筑师山崎健太郎(kentaro YKDW)领导的工作室。山崎在三宅一生建筑师事务所工作了四年后于2008年于建立了YKDW，如今被认为是日本最重要的新兴建筑师之一。从即兴瀑布阶梯幼儿园到室内没有隔断的房屋，山崎的设计反映了一种创造的非传统环境的愿望，这种环境给他的作品带来了强烈的社区意识感。
yamazaki kentaro design workshop, or YKDW, is a tokyo-based practice led by japanese architect kentaro yamazaki. after four years working at irie miyake architects, yamazaki established YKDW in 2008, and today is widely regarded as one of japan’s most important emerging architects. from stepped nursery schools that form impromptu waterfalls, to houses with no interior partitions, yamazaki’s designs reflect a desire to create unorthodox settings that foster a strong sense of community.
项目介绍
Kleingarten和Biotope是用培育自然的方法。同时已有更贴近于人类的关于对自然植物的控制方法。慢建筑也是一种尝试试图让工业化城市更加生态，尤其是总在城市周边的地区里。这是一件让城市生活变得更加轻松舒适的事。
Kleingarten and Biotope are ways to cultivate nature. There are also arrangements of natural green, attempts to make wild, strong nature, which is beyond mortal control, stay closer to human beings. Slow architecture is also a trial to cultivate industrialized world, especially house and town. That is to make urban-life more relaxed and comfortable thing.
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